Vivian’s work delves into the whimsical realm of Basset Hound portraiture, drawing inspiration from the esteemed European painting tradition. Through this stylistic choice, she engages in a playful critique of the pretensions often associated with the art world.

By depicting dogs in the grandeur of classical portraiture, she challenges the elevated status bestowed upon certain subjects in art. The adoption of the European portraiture style, often revered for its aristocratic representations, allows her to subvert the notions of highbrow exclusivity. In doing so, she draw parallels to the kitsch art movement, deliberately blurring the lines between high and low art.

The juxtaposition of regal poses and noble settings with the loveable, familiar presence of dogs invites viewers to question the perceived hierarchy of subject matter in art.

Furthermore, her artistic exploration intertwines with the contemporary commercialisation of art. The portrayal of dogs within this classical framework serves as a commentary on the commodification of art in today's market-driven society. It prompts reflection on how the value and reception of art often intertwine with trends, consumerism, and market demands.

Through her work, she aims to dismantle the notion of artistic elitism by embracing a subject matter that is universally beloved. By blending classical aesthetics with a touch of playful irreverence, she invite viewers to reconsider the boundaries of art, challenge notions of artistic worth, and contemplate the clash of commercialisation and creative expression in the modern world.